Jawbone (2017)
Tagline:
“Sometimes the hardest fight is with yourself.” Fitting, for the
film and the world over.
Premise:
Alcoholic former boxing prodigy Jimmy attempts to get his life back on
track by training at his old gym, under his seemingly unsympathetic
old trainer.
Delivery:
There
have been plenty of boxing
films
throughout the years, some good, quite a few more which were not any
good. Does anyone remember the Calcium Kid fondly, for example?
Jawbone
shares
similarities with a lot of the most well-known pugilistic cinema, and
in fact a lot of sports films. Underdog: check. Adversity:
check. Climactic fight at the end: check. What Jawbone
does
differently is approach a lot of the themes much more maturely. There
is no certainty that Jimmy McCabe, played by Johnny Harris, who also
wrote the film-
and rightly nominated for a BAFTA for that work,
is going to overcome any of his issues. At the buffet of issues,
Jimmy filled his plate, then went back for seconds.
An
alcoholic, who opens the film
passed
out in front of a video of his winning the ABA final at sixteen,
McCabe is in a bad way. Grieving for his mother and in danger of
losing his flat he turns to his old amateur gym, and coach Bill (Ray
Winstone) in particular. Jimmy wants to train, but is warned by this
tough love man; no booze-at all, and no “unlicensed” fights.
It
is strongly implied that what the film
means
by unlicensed is underworld or unregulated fights. Not what those in
the real-life boxing
game
would mean by unlicensed, which are insured, above board, and made as
safe for the boxers as is possible. Semi pro, or whatever you want to
call it. They're a big draw and supply guys to the pro ranks who do
well for themselves. Jimmy clearly had a past in the murkier side of
boxing.
But an opportunity presents itself through an old contact, and out of
necessity Jimmy takes it. Ian McShane’s shady character Joe, is not
an honest man, that much is obvious immediately.
There
is a fight going, Joe explains. But the kid is beating people up for
fun, and he's bigger than you. Jimmy is warned at length of the
danger of his opponent, then told, “the worst that can happen is
that you walk out of there with £2500.” It is categorically not
the worst that can happen to Jimmy. He’s past his best, desperate,
drying out, and has been warned the man is a wrecking ball. Boxing
fans
need no reminder lately of what dangers fighters are faced with, or
that fighting for money alone is the fast train to disaster.
Here
we have our set up. Is Jimmy able to overcome his multitude of
issues, not least his strained relationships in the gym with coaches
Bill and Eddie (Michael Smiley)? Will he even get to the fight, let
alone win it? He’s presented as such an outsider, and the film
has
a sombre tone, that anything could have happened in the end. This is
what was so engrossing about the film.
And those who know me, know I like sombre.
While
not exactly devoted to sweeping landscapes, Jawbone doesn't need to
be, It is brilliantly shot and the boxing
scenes
are gritty and in parts brutally exciting. The dialogue is
believable, leaving enough room for the viewer to think, not pressing
points home too much. Only when tough words are needed are they used.
Paul Weller’s score is fittingly understated.
Bedsit
it? Jawbone
is
enthralling. While it somewhat resembles Rocky, it’s Rocky spliced
with Tyrannosaur (2011- dir. Paddy Considine) as the viewer may or
may not like the protagonist, in this case Jimmy, due to his issues.
This realism may not be for everyone, particularly many Americans.
Jawbone
is
enthralling, especially as you begin to care for all of the main
characters, the amoral Joe aside. As much about the fights faced in
life as in the ring, Jawbone
isn't
just a boxing film, it's a social realist drama with boxing in it.
Strongly recommended. 8/10
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