The Snowman (2017)
Tagline: “Soon
the first snow will fall, and the hunt for a killer begins.” Zzzzz... Also it's snowy from the first shot to the last.
Premise: Murder
mystery set in Norway. Not that you'd know from watching the film.
Delivery: I've
been on a good run of luck with the films I've seen lately, I haven't
seen one I've hated since, ooh, last Tuesday. The Snowman is a snow
bound serial killer thriller, my kind of crap, from the director of
Let the Right One In, one of my favourite films ever. Hopes were
high, but they didn't stay there long. The film begins with a short
segment which I'll surmise as, “how to create a screen psychopath
in five minutes if you really can't be arsed” and doesn't get any
better.
Being such a huge
Bedsit Cinema fan, you'll no doubt remember how in love with Jo Nesbo
I was after watching Headhunters.
A writer with such a paucity of creativity he couldn't think up a
better name for his Norwegian protagonist than Roger Brown. Well, the
makers of The Snowman clearly thought their film would be even more
convincingly Scandinavian if they had all the Norwegian characters
speak in non regional dialect English. Like they're all BBC News
presenters from 1988. That'll really create the atmosphere needed for
this already frankly implausible and in places laughably silly murder
mystery thriller.
The Snowman sees Nesbo
again fail miserably at character names, they're every bit as
ludicrous as Roger Brown. I reckon he picks them out of a hat. A hat
full of English names. I had a look through the credits to further
make my point; Harry Hole, Flip Becker, Bar Guest, Hockey
Spectator... now I'm not Norwegian, but does anyone know if these are
remotely believable native names? If I was Norwegian I'd be in two
minds as to whether I was annoyed the film-makers basically erased
Norway from the film, because on one hand the length they went to to
remove it from on screen writing, police cars, and have it all in
English with British accents is fucking offensive. But on the other
hand I'd be trying to distance myself from Jo Nesbo at every turn.
Back to the plot and
dramatic presentation thereof. Bluntly: it's all terrible. A big mess, badly
acted and with zero tension. The only reason I watched to the end was
because I'd had a guess at who the killer was and wanted to see if I
was right. I was, and I'm never right about these things. There's
almost nothing original about the film, it's horrendous, and how did
nobody in the production team spot that snowmen aren't scary?! I mean
maybe they are a bit at first, like clowns or your neighbour's
erection, but after a while you get used to them and they lose their
edge.
Final gripe; what's happened to Val Kilmer? He looks like a rogue
Spitting Image puppet which has locked the real Val away and started taking his roles. He acts as well as one, too. What have you done with the real Val, you monster!
Bedsit it? Be it
on your head, but don't say I didn't warn you. Even as a genre I like
and the kind of thing I can sit through even when bad, all that kept me
going through The Snowman was knowing it was so bad I'd have pages of
ammunition to hurl at it- coating it off. I hope Fassbender got well
paid, because this will hurt his reputation, the Val Kilmer puppet's- less so. 3/10
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